§ 01 · The work

Melissa White.

30 significant works. 1 brand. A shop to buy the work direct.

Visit melissawhite.co.uk

Live site · melissawhite.co.uk

Melissa White has hand painted heritage murals, wallpapers, and decorative interiors for 30 years – working from a studio in Hastings for interior designers, hotels, and private clients across the UK and beyond. Her work is in Buckingham Palace, Johnnie Walker’s Edinburgh flagship, and Fortnum & Mason Hong Kong. She has licensed designs with Zoffany, GP&J Baker, and Andrew Martin. The work existed. The reputation existed. What was missing was a brand that made both findable under her own name – and a shop to sell direct. Whisk Digital built the brand, the identity, the website, and the shop. All of it, for a fixed fee.

Significant works, now correctly attributed
+%
Organic search CTR, first quarter
Continents now shipping prints to
Paid spend to get there
§ 02 · In their words
Brilliant, brilliant, brilliant. I keep discovering new things.
Melissa White
Decorative artist · East Sussex · QEST Scholar
Client
Melissa White, decorative artist
Year
2025
Sector
Decorative art and murals
Location
Hastings, East Sussex
Work
Brand · Identity · Website · Shop
§ 03 · The strategy

A strategy for 16 different user types.

Melissa White in her Hastings studio, in front of one of her hand painted papers
01 / Melissa, in front of her work

Melissa’s brand and site had to speak to 16 distinct audiences, from Tudor scholars and wealthy homeowners to luxury hotel groups and customers buying a single print. We built the strategic architecture first, before any design began. The result: 5 shop departments, 30 works written and structured for each target audience, and a custom animation of her signature wallpaper on the homepage.

A hand painted mural by Melissa installed in the dining room at Brownsover Hall Hotel
02 / Brownsover Hall, in situ
A portfolio plate of Melissa's commissioned work for Buckingham Palace
03 / Buckingham Palace, commission
Melissa's bay leaf mural installed above a refectory table
04 / Bay leaf, in situ
Melissa's bay leaf design, portfolio plate
05 / Bay leaf, the plate
§ 04 · The brand

The brand system we made with Melissa.

Melissa White hand-drawn calligraphic wordmark
Horizontal logomark
01 / Wordmark, drawn by hand in ink
Melissa White roundel logomark, reversed for dark backgrounds
Roundel, reversed
02 / Main logomark, applied to dark
Colour story · four pigments
Paper
#F4F1EA
Stone
#D9D2C5
Ink
#2B2B2B
Claret
#A83344
03 / Palette, drawn from the studio

Greg refined a visual identity Melissa had sketched out, resolving the logo, settling the colour palette, and choosing a type pairing in Source Serif 4 and Source Sans 3 that sits alongside her work without competing with it. The palette was drawn from the tones of her practice: paper, stone, ink, and a single note of claret.

Typography
Source Serif 4
Source Sans 3

A transitional serif for headers, its sibling grotesque for body. One super-family, harmonious across mural, print, and screen.

04 / Source Serif 4 & Source Sans 3
§ 05 · The animation

An animated hero to make her work come to life.

Garden mural
01 / The animated hand-painted hero

Melissa’s homepage needed to feel alive without losing the quiet detail that defines her work. We teased apart her mural illustration into 38 individual layers, from figures and foliage to occluders and ambient details, then animated each one in pure CSS. No JavaScript, no video, no compromise on load speed. Characters like the walking monkey and the scanning bird were split further into articulated body parts so they move with weight and intention rather than as flat cut-outs. The result is a homepage hero that breathes and behaves like the painting it came from, deployed through a Netlify CDN with every layer hand-tuned to stay crisp on mobile and quick to first paint.

§ 06 · The website

A beautiful site with a fierce strategy.

The Melissa White commission page on mobile
01 / Commission, the bespoke route

We rebuilt Melissa’s site from a loose legacy footprint of 180 pages down to 106 focused ones, every page structured so that search engines and AI assistants can attribute the work correctly. Now when someone searches for her licensed wallpapers through Zoffany, Andrew Martin or GP&J Baker, her name comes with them. The site runs on the platform Melissa already knows, so she has full autonomy to add work, update the shop and manage her own practice independently.

The Melissa White collaborate page on mobile
02 / Collaborate, designers & trade

Melissa’s collaborate page speaks separately to interior designers, hotel groups, and licensing partners, each in their own language. The right enquiry arrives already knowing what it is, and Melissa already knows how to answer it.

The Melissa White shop on mobile, with works browsable by department
03 / Shop, buy the work direct

The shop lets collectors buy originals and prints direct, browsable across five departments. Melissa adds work, sets pricing, and manages every order herself. No agency in the loop, no recurring fee.

§ 07 · The method

How we work. And why this one took longer.

Every Whisk Digital project starts the same way: one strategy day, three years of positioning agreed before lunch, fixed fee signed off before we touch a single asset. Melissa came with thirty significant works, a rich archive, and a career that had simply never had the platform it deserved. We worked with all of it.

If you have a body of work but not a brand, a wealth of material but not a structure, a reputation that deserves a better home, that is exactly where we start. Two senior people, no juniors, no hand offs. Greg designs and builds. Fliss sets the strategy and writes the words. You’ll only work with experts who are set on getting it right.

§ 08 · Ready when you are

Yours could be next.

Three weeks from a first call to a live brand. Bring your situation.